Selected Duets for Flute, Page 30 Number 8, performed by David Summer. Like the previous duets entitled "Menuet" this is a spelling variation on the word "Minuet". These two minuets are both in the key of C, the second one does not change key to the parallel minor, as the previous pair of minuets did. The prolific Boismortier, the composer of all the duets in this section of the Selected Duets book, wrote often for the flute. He even wrote a flute method book that unfortunately is now lost. There are no repeats taken in this performance, but again the DC to the first minuet is taken, and the metronome marking is quarter note = 120.

Selected Duets for Flute, Page 29 Number 6, performed by David Summer. This duet, Rustic Dance is in 2/2, which is also known as "cut time" or "alla breve". Cut time usually implies a fast tempo. It's often used in marches. It's also often used in show tunes, especially during dance sections. The duet lives up to its name by effectively invoking images of a rustic dance. The metronome marking for this performance is quarter note = 84.

Selected Duets for Flute, Page 28 Number 5, performed by David Summer. Like the previous duet entitled, "Menuet" this is a spelling variation on the word "Minuet". These 2 minuets have a key relationship, in that the first one is in the key of C and the second in c minor. C minor is the parallel minor to C major. (Note that the key signature of the second duet doesn't accurately portray this relationship, but it is in fact in c minor). There is a segue marking at the end of the first section of the second minuet. This use of segue means to continue without a pause. It is there to indicate to the performer that there is more of the duet on the next page. You will often see a segue marking for a page turn when the page must be turned quickly. They are often seen in instrumental part for musicals, for example. There are no repeats taken in this performance, but the DC to the first minuet is taken, and the metronome marking is quarter note = 120.

Selected Duets for Flute, Page 28 Number 4, performed by David Summer. This Sarabande is in the style of a Sarabande from the baroque period. That is, it is a slow piece in 3. The baroque sarabande was one movement of a suite, usually coming directly after the courante. A sarabande by GF Handel, in a similar style to this duet, was featured in the soundtrack to the picturesque Stanley Kubrick movie "Barry Lyndon" (1975). The metronome marking for this performance is quarter note = 72.

Selected Duets for Flute, Page 27 Number 3, performed by David Summer. This gigue is in the same style as the previous two duets. The "question and answer" sections in the last part of the duet often present a rhythmic challenge for a student. The teacher needs to emphasize counting the 3 beats that make up the dotted quarter note plus the 2 that make up the tied quarter note in the next measure. The metronome marking for this performance is dotted quarter note = 80.

Selected Duets for Flute, Page 26 Number 2, performed by David Summer. This duet continues the group of duets by the composer Boismortier. Again, the flute one part states a short melodic theme alone at the beginning of the piece, followed by the second flute part begining with the same short theme, now harmonized by the first flute. The metronome marking for this performance is dotted quarter note = 80.

Selected Duets for Flute, Page 26 Number 1, performed by David Summer. A musical prelude usually serves as an introduction to a longer piece or some other event. This duet, like many of the duets in this section of the book, has the flute one part state a short melodic theme alone at the beginning of the piece. Then, when the second flute part begins, it begins with the same short theme, now harmonized by the first flute. The composer of the duets in this part of the book, Joseph Bodin de Boismortier, was a French baroque composer of instrumental music. He was one of the first composers to be able to make a living writing music without having a patron. The repeat of the second section is omitted here and metronome marking for this performance is quarter note = 69.

Selected Duets for Flute, Page 24 Number 3, performed by David Summer. This duet is entitled Tambourin, which is a piece of music that iw written in imitation of a drum. The word comes from the French word "tambourin" meaning an old type of drum. A Tambourin is usually in 2 and is meant to be played in a lively manner. There is a percussion instrument with a similar name called a tambourine. The tambourine was especially popular in 1960's and 70's pop music. The metronome marking for this performance is quarter note = 76.

Selected Duets for Flute, Page 22 Number 16, performed by David Summer. This minuet (a dance in 3/4 time) again features "question and answer" sections where the second flute part seems to be "answering" a question "posed" by the first part. Here, dynamics also play an important part in the question and answer sections. The metronome marking for this performance is quarter note = 132.

Selected Duets for Flute, Page 21 Number 15, performed by David Summer. This duet is marked "Allegro con spirito", or fast with spirit. It features a sort of musical "cascade effect", where the flute 1 part plays several repeated notes and the flute 2 part starts on the same note, then moves in a descending line. There are no repeats in this performance and the metronome marking is eighth note = 132.

Selected Duets for Flute, Page 19 Number 13, performed by David Summer. This duet is entitled "A Trumpet March". Sometimes, when I assign this duet to a student, I re-title it "A Flute March". Like many of the duets in the first part of the book, this duet features some back and forth or "question and answer" sections. The tempo and the feel, as the title suggests, is march-like. The march-like feel would make this duet appropriate for a processional, perhaps as a processional for a wedding or graduation, for example. The metronome marking for this performance is quarter note = 96.

Selected Duets for Flute, Page 18 Number 11, performed by David Summer. This duet is entitled "Gavotte". A gavotte (sometimes spelled as "gavot" or "gavote") is a dance that was especially popular during the Baroque period. It is usually characterized as being in a moderate tempo, with 2 beats to the measure and starting with an eighth note pickup. A pickup note (also known as an anacrusis) is a note that appears at the beginning of a piece in an incomplete measure. The time in the measure is made up for at the end of the piece. A pickup note may also appear at the beginning of a section and there may be more than one. In this duet, notice the 4 measures of back and forth dynamic change from soft to loud. Like some of the earlier duets, the dynamic pattern gives this duet a sort of "question and answer" feel. The metronome marking for this performance is quarter note = 92. Since this duet is a bit longer than many of the others, the repeats are omitted.

Selected Duets for Flute, Page 17 Number 10, performed by David Summer. This duet is entitled "Giga". Like the similar duet, entitled "Jigg" from one of last month's episodes this is an energetic dance form in a fast 6/8. It appears that the "Giga" is originally from Italty. Again, this is 6/8 time at a fast tempo, played "in 2". That is, heavily accenting the first and the fourth beats of the measure. The metronome marking for this performance is dotted quarter note = 84.

Selected Duets for Flute, Page 16 Number 9, performed by David Summer. This duet features an interesting "back and forth" or "question and answer" feeling. This, combined with the Allegro tempo, makes the duet especially challenging for some students. The metronome marking for this performance is quarter note = 100. Since this duet is a bit longer than many of the others, the repeat of the second section is omitted.

Selected Duets for Flute, Page 13 Number 4, performed by David Summer. This duet is entitled "Menuet". It's a spelling variation on the word "Minuet". A minuet is a social dance of French origin, in 3/4 time, for two persons. The metronome marking for this performance is quarter note = 118.

Selected Duets for Flute, Page 13 Number 3, performed by David Summer. The duet is entitled "Jigg". It's a spelling variation on the word "Jig". A "Jig" is a Irish dance form and the tunes for these are generally in a fast 6/8. They are played in a light manner. When 6/8 is at a fast tempo, it's often said to be "in 2". That is, where you are heavily accenting 2 beats to a measure, the first and the fourth beats. The metronome marking for this performance is dotted quarter note = 72.

Selected Duets for Flute, Page 12 Number 2, performed by David Summer. This duet is entitled "Italian Rustic Dance". It's played at a lively tempo with many "staccato", or "detached" notes. The metronome marking for this performance is quarter note = 144.

Selected Duets for Flute, Page 12 Number 1, performed by David Summer. The first duet in this section is an "Air" or, in Italian, an "Aria" or tune. It should be playing in a flowing style. The metronome marking for this performance is quarter note = 116.

Selected Duets for Flute, Page 7 Number 8, performed by David Summer. This piece is marked Grazioso and is similar to the duet with the same tempo marking on page 5. It should be played "with grace" or "gracefully". Notice the contrary motion in several of the measures, particularly in the "A" section, which help to give the duet a "strong" sound. The metronome marking for this performance is quarter note = 94.

Selected Duets for Flute, Page 6 Number 7, performed by David Summer. This piece is marked Allegretto, which is a moderately fast tempo between Allegro and Moderato. The term Allegretto is literally the diminutive form of word Allegro, meaning the tempo Allegretto is a little slower than Allegro. Notice the call and response form of this duet, the 2 beats of 16th notes, which goes back and forth between the 2 flutes. This continues until the end of each section when the 2 flutes play the 16th notes together. The metronome marking for this performance is quarter note = 80.

Selected Duets for Flute, Page 6 Number 6, performed by David Summer. This piece is marked Andante, which literally means a "walking" tempo. It's between Adagio and Allegretto. Notice the use of syncopation throughout the duet, making it seem like it's being played faster than it really is. The metronome marking for this performance is quarter note = 82.

Selected Duets for Flute, Page 5 Number 5, performed by David Summer. This piece is marked Moderato, which means at a moderate tempo. I've always thought of this duet as sounding somewhat like a processional. The metronome marking for this performance is quarter note = 112.

Selected Duets for Flute, Page 5 Number 4, performed by David Summer. This piece is marked Grazioso, which means "with grace" or "gracefully". It should be played smoothly and with a certain elegance. The metronome marking for this performance is quarter note = 108.

Selected Duets for Flute, Page 4 Number 3, performed by David Summer. This piece is marked Allegro, which means fast. It should be played in a bright cheerful manner. The metronome marking for this performance is quarter note = 116.

Selected Duets for Flute, Page 4 Number 2, performed by David Summer. This piece is marked Moderato, which means at a moderate tempo. Notice the syncopation sections that provide rhythmic contrast in the duet. The metronome marking for this performance is quarter note = 100.

Selected Duets for Flute, Page 3 Number 1, performed by David Summer. This piece is marked Allegro, which means fast. It should be played in a bright cheerful manner. Notice the "question and answer" motives in this duet. The metronome marking for this performance is quarter note = 116.