During the church service, a trumpeter or flutist usually doesn't play on every verse of a hymn, but rather only on alternate verses. When playing hymns while the congregation is singing, it's important for an instrumentalist to make sure the members of the congregation remain confident in their singing. Sometimes, people who are not trained vocalists can become distracted when another instrument is playing along with a keyboard. With this in mind, it's usually best to play the melody on the first verse, particularly when playing the trumpet with a hymn tune.

While playing this first verse in performance, David will listen carefully to the congregation to make sure he is not overshadowing them and also to see how confident they are with the melody. If it seems the congregation knows the hymn very well, then a descant can be introduced in a later verse. In any case, hymn descants are usually reserved for later, or even only final verses.

Often David will perform a hymn on the trumpet or flute while the choir is singing without the congregation. In this case, if the choir is very experienced, a descant can be introduced right away.

Occasionally, David will compose a descant especially for a particular performance. For a 2009 Advent service at St. Anne's in-the-Fields Episcopal Church in Lincoln, MA, David composed and performed a flute descant for the Advent carol
Come, Thou Redeemer of the Earth.

What made this performance particularly special was that St. Anne's highly experienced choir was able to sing two verses of this hymn with no accompaniment other than the flute descant.

Listen to more of David's live location performances recorded at several churches throughout Massachusetts.

A lively hymn featuring a descant played on the trumpet with organ accompaniment makes for a crowd-pleasing service postlude. Members of the congregation enjoy hearing a hymn they familiar with, and may have sung, played in a different way, as an instrumental version.

David has written several trumpet descants for well-known hymns. When playing for a church service, he often makes use of these for an instrumental postlude. The usual form for these trumpet postludes is to play the hymn melody once through and then to play the descant. The organist simply plays his or her usual part twice through.

I Sing the Mighty Power of God (Ellacombe) by Isaac Watts is an excellent postlude hymn. In this recording, David plays the melody and then his self-composed trumpet hymn descant. This recording of I Sing the Mighty Power of God was made by David Summer not at a church location, but rather using his multi-track home recording studio. David sequenced and recorded the organ/keyboard part and then recorded his trumpet on another track.

When performing a hymn for an instrumental postlude, David will sometimes ask the organist to play the last two measures or last four measures of the hymn as an interlude between the melody section and the descant. This presentation gives the piece a nice sort of "arranged" quality and can make the trumpet descant played in the second half even more dramatic.

As part of David's private lesson teaching, he generally encourages his students to seek out and take advantage of local performance opportunities. These are often in addition to any school band, orchestra or other school ensembles the student may be participating in.

Playing the trumpet and flute in a church setting is a very specialized type of performance playing. It's not for every trumpeter or flutist. However, it can be an excellent experience for a student to play at his or her own church, or a friend's church. If a student expresses interest in playing in church, David is in an excellent position to use his experience as a performing musician to help make this a great fun and learning experience for his students.

In preparing the student to play in church, David will go over hymns with an eye toward interpretation and presentation, especially in regard to playing the trumpet at an appropriate volume. Students might also need help in transposing hymn tunes either for Bb trumpet or as compensation for key changes being made by the church music director to suit the needs of the choir.

As part of this preparation, David often makes use of his own play along materials. David has sequenced and recorded organ parts to several hymns as accompaniment for his private lesson trumpet students and flute students. Having a recorded organ part to play along with as accompaniment while practicing can be a big help in building the student's confidence. (Plus it's more fun) After presenting one or two examples of hymn descants, David will often encourage his students to compose their own descant to a familiar hymn tune.

If you're a trumpeter or flutist who plays in church, or are interested in doing so, you should consider writing your own hymn tune descants. By writing the descants yourself, you can take advantage of your own particular playing style. If you need help, your private lesson trumpet teacher or flute teacher should be able to assist you.